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Jan Van Eyck The Arnolfini Marriage 1434
The National Gallery, London
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Jan Van Eyck A Man in a Turban 3 1433
The National Gallery, London
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Jan Van Eyck Portrait of Cardinal Niccolo Albergati 1435-38
Art History Museum
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Jan Van Eyck The Virgin of Chancellor Rolin Musee du Louvre, Paris
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Jan Van Eyck The Annunciation 6 1425-30
The National Gallery of Art, Washington DC
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Jan Van Eyck The Crucifixion 6 1425-30
The Metropolitan Museum of Art, New York
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Jan Van Eyck The Annunciation 9 1425-30
The National Gallery of Art, Washington DC
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Jan Van Eyck The Birth of John the Baptist Body colour on
parchment. Museo
Civico d'Arte
Antica,Turin,Italy
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Jan Van Eyck The Ghent Altarpiece with altar wings closed 1432. Oil on wood. St.
Bavon,Ghent,Belgium
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Jan Van Eyck The Ghent Altar The Annunciation.
Gabriel. (Detail).
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Jan Van Eyck The Ghent Altar The Annunciation
Virgin.
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Jan Van Eyck The Ghent Altar Donors and Saints.
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Jan Van Eyck The Ghent Altar e5 Donors and Saints.
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Jan Van Eyck Adam and Eve 1432Oil on wood
St. Bavon,
Ghent, Belgium.
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Jan Van Eyck The Virgin of Chancellor Rolin (mk05) Wood 26 x 24 1/2''(66 x 62 cm)Painted for Nicolas Rolin (1376 - 1462) From the Collegiate Church of Notre-Dame in Autun entered the Louvre in 1800
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Jan Van Eyck Portrait of Cardinal Nicola Albergati (mk08) c.1432
Oil on wood,
34x26cm
Vienna,Kunsthistorisches Museum
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Jan Van Eyck Giovanni Arnolfini and His wife Giovanna Cenami (mk08) 1434
Tempera on wood
82x60cm
London,National Gallery
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Jan Van Eyck The Virgin of Chancellor Rolin (mk08) 1434--1436
Oil on wood.
66x62cm
Paris
Musee National du Louvre
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Jan Van Eyck Madonna in a Church (mk08) c.1437-1439
Oil on wood
31x14cm
Berlin,Gemaldegalerie,
Staatliche Museen
zu Berlin-Preubischer Kulturbesitz
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Jan Van Eyck The Virgin and Child in a Church (mk08) 1437
Oil on wood
27.5x21cm
Dresden,Gemaldegalerie Alte Meister
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Jan Van Eyck
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1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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